A Newly Ordered World – Treasures from the Napoleonic Era

19 October 2019 through 1 March 2020 | opens on Friday, 18 October, 7 p.m.

Napoleon Bonaparte reorganized the European world in many respects. 2019 will mark the 250th anniversary of his birthday, an occasion that inspired Pforzheim’s Jewellery Museum to organize a special exhibition spotlighting the new kind of jewellery and fashion characteristic of the Napoleonic era. Back then, the Neoclassical »style of the Revolution« and the decorative Empire style spread all over Western Europe well into Russia. The moral concepts developed during the Enlightenment called for an aesthetic inspired by reason, which met the taste of an increasingly powerful, self-confident and educated middle class, and influenced all areas of culture – starting from architecture, painting, furniture, garments and jewellery all the way through to literature and music. The visual arts were expected to lead to the emergence of an intellectual aristocracy to break with the tradition of hereditary aristocracy. Over the course of Napoleon’s imperial reign, the Empire style unfolded its representative splendour to perfection. Including several pieces created by Nitot, Napoleon’s court jeweller, the exhibition will also be showcasing jewellery worn in his social environment.

Admission € 6, reduced price € 3.50, admission to both the permanent and special exhibition € 8.50

Nearly Nothing - Jewellery and Vessels Created by Ulla and Martin Kaufmann

Permanent exhibition | Modern Collection

13 July through 3 November 2019 | opens on Friday, 12 July, 7 p.m.

Ulla and Martin Kaufmann have been creating jewellery and vessels for almost fifty years now. Initially, they were characterized by abstract floral shapes, later on by a classically modern formal idiom, and in the past few decades have reflected their in-depth involvement with the sculptures created by Richard Serra or Eduardo Chillida, for example. Both trained as gold- and silversmiths, and have been sharing an atelier in Hildesheim since 1970. A hammered metal strip plays a central role in their works, which include a number of audaciously shaped creations, as do the exterior, interior and intermediate spaces they create with their materials. In addition to many other accolades, Ulla and Martin Kaufmann won the Bavarian State Prize in 2018 for their project entitled »Cubes in Motion«. The exhibition will be giving a representative overview of the couple’s comprehensive oeuvre.

Exotic formosa - Contemporary Jewellery from Taiwan, created by Ruan Weng Mong

27 March through 28 June 2020 | opens on Thursday, 26 March, 7 p.m.

The goldsmith and sculptor Ruan Weng Mong is a mediator between different worlds: born in Taiwan with Taiwanese-Japanese roots, and trained as a goldsmith in Germany, plus serving as President of the Goldsmiths’ Guild in Nuremberg for many years, he is at home on several continents. His artworks elegantly wed his sensibility for materials and his appreciation of (gem)stones to clear-cut shapes that connote both a European and an Asian formal idiom. While working as an instructor and lecturer in Taiwan, he was one of the first to introduce international contemporary jewellery to Taiwan, and contributed towards paving the way for the inspirational, top-level international exchange of ideas that is taking place there nowadays. The exhibition will be showcasing about 140 of his works in the genres of jewellery, sculpture and graphic art, created over a period of more than 40 years. This is the first time that contemporary Taiwanese-Asian jewellery and artistically created objects will be shown in Germany.

Max Ernst – The Würth Collection

18 July 2020 through 17 January 2021 | opens on Friday, 17 July, 7 p.m.

Max Ernst (1891–1976) ranks among the most inspiring and influential artists of the 20th century. His oeuvre’s charismatic appeal has lasted well beyond his era. Parts of his biographical notes are fictitious, and he always remained ironically detached from his own works and techniques. His pictures feature figurative elements as well as imaginary forms, and his works have been created from mixed media. Max Ernst was a crossover artist and a master of the realm of “in-between-ness”. Like his life, his oeuvre is characterised by disjunctions and thematic changes, both of which combine to express his visionary, sceptical concept of the world.

In the Würth Collection, Max Ernst occupies a central artistic position. A unique collection of books and graphics constitutes the core of the Max Ernst section, making this surrealist’s almost unsurpassably diverse, seemingly boundless visual universe experientially accessible, starting from his very first creations all the way through to his fantastic later works. Several of the artist’s sculptures will also be displayed in this exhibition. In addition, the Jewellery Museum will be showcasing selected pieces from its own collection to enter into dialog with Max Ernst’s artworks.

Admission € 6, reduced price € 3.50, admission to both the permanent and special exhibition € 8.50

Wismar, Hasselt, Itami – Three Countries, Three Cities, Three Schools

17 May through 26 July 2020 | Opens on International Museum Day, Sunday, 17 May, 11 a.m.

Over the course of the past few years, three innovative training institutions specialising in jewellery design have evolved in these three cities, located in Germany, Belgium and Finland. In this exhibition, the Jewellery Museum will be spotlighting new aspects of international contemporary jewellery – created in places that don’t rank among the focal points of the jewellery scene but for this reason are breeding grounds for the development of refreshingly new approaches to art jewellery.

The Phenomenon of Jewellery – the Ethnographic Collection at the Jewellery Museum | Inauguration of the new presentation

Friday, 27 November 2020, 7 p.m.

There is something innately human about jewellery. The phenomenon of jewellery can be found in all epochs and eras, as well as in all cultures. The “Eva and Peter Herion” collection has been given to the Jewellery Museum as a permanent loan. When the remodelled Jewellery Museum opened in 2006, parts of the Herion Collection were set up with a special focus on Africa and Asia. Conceived as a semi-permanent exhibition back then, it will now be redesigned on the basis of a fundamentally new approach. The discussion held in recent years, and increasingly of late, about our approach to ethnographic artefacts requires a new view of non-European jewellery. The aim is to come up with a new concept that takes the insights gained from the current discussion and its key aspects into due account. Here it is equally essential to see the objects in their individual cultural-historical contexts, to consider the artistic aspirations involved, and to regard them within the framework of global jewellery history.